Sunday, September 13, 2009
Demand Deposit Letter Landlord Nj
http://www.youtube.com/watch?v=rcLxN57pNcI&feature=channel_page
Maxine Cartoons Motorbike
15 TERRITORIES
08.09.2009
* OPENING understood.
cameras that prowl Global Beach
are those of the directors of operating margin. Get off at Lido of Rome, Alexandria and
Paco, fix the days of Global Beach and then return them when
tents will be dismantled. Interviews with players, to
participants, the images of the initiatives. And the other day well
images of officers of the police intervention before the
catwalk. "We here at Global Beach - Alex says - before
throughout the show as temporary workers. The road is always
been rising. In Italy there is not a culture than
species in the contemporary artistic production. Already it is usually difficult to intercept
spaces and recover funds today
situation is even worse. In Rome, we are also experiencing a situation
exchangeable government. Why after all the first
there was a situation of confrontation, even if very bright but
comparison. Today things are different. "
, among a thousand difficulties operating margin has been able to put
field this year the festival, "Through multiple. " You
the initiative, say the organizers are proud that more
is also operating margin and its work in all these
years. Because it is a festival that combines and summarizes the work of
collective. Theater, films, music and street art. Multiple Penetrations
questions about artistic languages \u200b\u200b
contemporary art events by entering in urban areas. It is a
art project that has developed since 2001 (first year of
edition), in the metropolis of Rome, as places of his choosing
happen transit areas - train stations and subway
- urban spaces and special places
taken as a symbol of our age and the complexity of the layering
that each city has.
Each event presents itself as a body formed by the faceted
connecting different artistic codes that interface with
spaces where they are located. Each edition has hosted performances by artists
very different from each other, always the sign of
Contemporary and plurality of languages, with a large
attention to the indie scene. The journey through the
horizons of art and furniture of their interference with the city
continues in this edition follow the trajectories in place
in the metropolis and in the sprawling metropolis and polycentric. This
ninth edition is supported by the Province of Rome (
Department of Cultural Affairs) and the Lazio Region (Department of
Culture, Entertainment and Sports). The numbers of Multiple Penetrations
speak for themselves: five days of arts events in September (12
15, 17, 21, 23), three workshops in October a day of debate and
an event in October (10). Multiple crossing 2009 runs
travel along a trajectory that comes in from the sea
metropolis. He began his journey to Rome in September outside
territory of the Roman province in the town of Pomezia, with a
event on the beach, then move on along the sea in a place
sprawling metropolis of travel The train station
Ladispoli, then passed the station Cristoforo Colombo,
sea railway outpost of the capital. On the fourth day arrives
in the heart of Rome, in the subway station
Pyramid travel hub that connects the beach to the city, and then
The boundary moves south-east of the city: the subway station
Anagnina . The journey continues in October with three
workshop dedicated to the changes that have created the universe
music and video with digital technologies.
The last stage is a day of meeting / discussion +
event that fits into a space that says with its transformation of the urban
mutations: a storage / garage workshop
of experimentation in the district of San Lorenzo. The artists involved
in this ninth edition of the shares are performing
original created for this festival and for areas where
fit. "The characteristic of Operating Margin - Paco says - is that we
activism and artistic production are inseparable. And
it is no coincidence that the last round of the festival this year is to
Esc, which is one of the most important part of the Roman Empire. " The
three axes on which moves are the Operating Margin theater, video
and the creation of events. And speaking of videos, the latest
production worthy of the Roman Empire and the collective anger, made in collaboration with
YaBasta!. The film tells the following and ten days of traveling festival
(Primer Festival Mundial de la Digna Rabia)
proposed around Mexico by men, women, young people of the EZLN,
Zapatista Army of National Liberation . Operating Margin has also
around two shows, both designed by Alessandra Ferraro and
Pako Graziani.
The first is Guerrilla Live Show (with an exchange of mail in the network in
period of the second revolt of the banlieues in France between some
casseur ultras Italian and some French) The other show is
Rome - the city for stray bodies, a multidisciplinary project that comes
as another milestone along the road Art since 2007 saw
work together some members of the band Torpedo
the musical hip-hop JunglaBeat with the company's operating margin
theater and video group Riot Generation Video.
Friday, September 4, 2009
How Long Does Dental Air Emphysema Last
Global Beach returns this year, in its fourth edition.
Global Beach is a beach owned by the military property, abandoned to decay for fifteen years, which since 2004 has temporarily occupied during the Festival.
# Tuesday, September 1, 2009
- an aperitif on the Beach - DJ set by
DISASTERSILVA - Rock'n'Roll, Surf, Soul.
21:00 pm - METROPOLITAN ASSEMBLY the precarious DELLA CULTURA E DELLO SPETTACOLO. Un assemblea per iniziare un percorso di coordinamento tra diverse realtà del precariato della cultura, dello spettacolo e della formazione, per fare il punto della situazione, per incontrare percorsi di innovazione culturale, per pensare strategie comuni di organizzazione, per decidere di mobilitazioni immediate e future.
L'assemblea è aperta a tutti. partecipano: Global Beach, Precari della Biennale di Venezia, Precari di MTV, MOVEM, Onda Anomala, S.a.L.E.
# Mercoledì 2 settembre 2009 Ore 16:00 -
STREET PARADE - TAGLIAMO LA STRADA AI TAGLI SULLA CULTURA. Il precarious resumes Film Festival. against this government that disposes of culture and education. An initiative to protest against government cuts on education and culture, to give consistency to a precarious one would like to fragmented and helpless, to begin a path other than a mere defense of the existing, but the will of a radical transformation of "culture factory".
architectural installation-video-music + dj set by the collective Exyzt.
"From recycling to urban regeneration, the project Rebiennale takes different forms. Since 2008, the work we undertake with the Venetians invested spaces and materials' to scarto' con lo scopo di restituirli alla città e ai suoi abitanti. La presenza del turismo, in particolare durante gli eventi culturali o mostre internazionali potenzialmente rigenera i luoghi, spostare persone e materiali per dare vita ad uno spazio di vita possibile, per svelarne le potenzialità e contribuire ad una storia... quella di Globalbeach è uno dei capitoli del progetto, noi ci saremo per occuparla e abitarla, per costruirla e raccontarla. La Mostra del Cinema segna la fine dell'estate e intendiamo partecipare approfittando degli ultimi raggi di sole sulle dune della spiaggia!" www.exyzt.org
# Giovedì 3 settembre 2009 O 19:00 king - live performance
Circopaniko.
The legend of the pianist in the van
Stefano Cortese Musical and interactive. A van that houses a piano and surprise trip to Italy open to let someone ... sounds
http://www.flowproject.it/circo/
21:00 pm - FACTORY TRAINING AND CULTURE IN CRISIS . Debate by Anomalous Wave of Venice. Speakers: Pierluigi Sacco (economist and professor IUAV - Visual Arts); Monique Veaute (Director of Palazzo Grassi), Judith Revel (Philosophy, Université de Paris I), Andrea Fumagalli (economist, University of Pavia).
The "culture factory" is a complex system where different elements contribute to a process of "branding" metropolitan attracting investment and generates wealth. The "live work" of this ecosystem is subject to processes of insecurity, but at the same time, the actor's struggles and new social actors. The tidal wave suggests an evening of discussion, taking as its starting point the reality of Venice and trying to address the issue of the role of universities in the factory culture.
23:30 pm - screening of Ermanno X
,
authors will be present. medium-length film by the collective Fifth Quadrant. Through the story of a co.co.pro used in crime in Milan, we investigated the spectacle of dire news.
www.ermannox.it .
# Friday, September 4, 2009
18:00 - cocktail music with DJ Frikéz
. noise musician, a DJ set by multifaceted cross rock, and experimental clash. 20:00 - presentation VIDEOCRACY
. Erik Gandini, director, lives in Sweden but was born and raised in Italia.Con Videocracy he returns to his native country, to tell from the consequences of a television experiment that the Italians have been subjected for 30 years. Fandango 2009 - present at the 66th international film festival in the autonomous sections: International Critics' Week (SCI) and Days
trailer 22:00 pm -
jazz concert with the
davidb 5tet - David Boato trumpet and flugelhorn, sax Alberto Vianello; DarioVolpi guitar, bass Roberto Caon, Marco Carlesso battery www.myspace.com / davidb
to follow party with DJ FRIKEZ
# Saturday, September 5, 2009 SELF AND INDEPENDENCE
19:00 presentation by URBAN CODE (association of local street artists and writers) and salt text
experimental analysis that investigates the contradictions of the contemporary city through the practice of writing.
"we plan to attack the urban areas to redevelop and stop signs imposed the horizon, a headline (headline) which examines the first steps of a spontaneous activity that starts to move towards a conscious attack on the metropolitan area. "to follow screening BOMB IT! The explosive documentary by Jon Reiss investigating the most subversive and controversial form of communication: graffiti.
www.bombit-themovie.com
www.urban-code.ittrailer
from 22:00 Install audio / visual and landscapewandering without a subject by Videotrope (www.videotrpe.tv) and Marco Cecotto
21:30 pm POINT APPLICATION
is the new creation of Circus Panik. Approximately one hour show to a brisk pace that does not allow the public time to draw breath or think about what is going on: those who enter under the awning is welcomed and made to accommodate absurd characters and no less real in their strangeness, and until the doors are opened the audience is bombarded with overwhelming energy of the actors and their psychosis resulting in unusual numbers, circus and original music played live.
http://www.flowproject.it/circo/
23:00 pm
Indie Trotutta http://www.indietrotutta2009.
blogspot.com / A trip and a search into the music that winds through informal networks of people, places, feelings that pulse along hundreds of miles and hundreds of emails. Self-produced discs, covers, hand-cut and folded, concerts, co-productions, exchanges and mailorder, hip hop workshops, festivals, fanzines and self-managed rehearsal. Different experiences, innovative, looking for new nodes along which to develop and through which change.
Live:
Nurse! Nurse! Nurse! (
myspace .com / radiomox )
Fuzz Off ( http://www.myspace.com/fuzzoffsottosuono
)
kilometers ( http://www. myspace.com / bomchilom ) # Sunday, September 6, 2009
18:30 POINT APPLICATION is the new creation of Circus Panik.
Approximately one hour show at a brisk pace that does not allow the public time to catch your breath or think about what is going on: those who enter under the awning is welcomed and made to accommodate absurd characters and no less real in their strangeness, and until the doors are opened the audience is bombarded with overwhelming energy of the actors and their psychosis resulting in unusual numbers, circus and original music played live.http://www.flowproject.it/circo/
Remove from 22:00 audio / visual and landscapewandering without a subject by Videotrope (www.videotrpe.tv) and Marco Cecotto
22:00 pm - SIKITIKIS in concert, one of the bands present on boxes from the Italian
video
18.00 -
We call it Skweee
, the authors will be present Iacopo Patierno and
David Giese. A film about music, people and Scandinavia. The story of a curious phenomenon of contagious and Scandinavian music. Good Morning Aman of Claudio Noce with Valerio Mastrandrea , Said Sabra , Anita Caprioli
The strange bond of friendship between Aman, a young Somali raised in Rome, full of energy , anger and pain, stuck in their nightmares, and Teddy, a former boxer trapped in its past four decades to be expiated. The dream of an escape that makes a clean sweep with the past and shuffled their cards . 19.30 -
Bars- with Claudio Noce, and Anita Valerio Mastrandrea Caprioli Ore 21.30 - Presentazione del film: Good Morning Aman
Ore 23:00 - DJ set Pisti
from Motel Connection
# Martedì 8 settembre 2009 Ore 18:00 - Aperitivo musicale con DJ
Ore 21:00- DIBATTITO: “VIVERE, LAVORARE E LOTTARE NELLA CRISI GLOBALE” Global Beach ne discute con:
ANTONIO NEGRI E MICHAEL HARDT(autori di Impero , Moltitudine e
Commonwealth); coordina la discussione SANDRO MEZZADRA (Uni.Nomade)
Negri e Hardt hanno appena dato alle stampe "Commonwealth", il terzo capitolo dopo "Impero" e "Moltitudine". La produzione del comune legata all'attività umana: idee, affetti, immagini, comunicazione e conoscenza, è sempre più centrale nella produzione capitalistica. Pur sullo sfondo della crisi economica ci troviamo di fronte alla necessità di organizzare questo comune in modo da poterlo liberare. Solo così, di conseguenza, esso esprimerà il suo pieno potenziale.
Ore 23:00 teatro: ANAGRAMMA VIA ARTOM di Gianni Stoppelli e Alessandro Flora. "It 's the story of a great neighborhood on the outskirts of Turin in the late seventies and early eighties. It is the story of boys, children of migrant workers. Children between the ages of thirteen and seventeen, who played on road. It 's a story of immigration, marginalization and violence. It is also my story. A man is dead, a woman was widowed and a child of twelve, an orphan. Other children, which has not heard anything , did not arrive at twenty or survived to that stage, wandering in the nation's prisons, ravaged by drugs, disease, social isolation. On December 28, 2003 was shot down one of the eight buildings of the complex of Artom houses away. Another earlier this 2005. I wanted to give my contribution. I wanted to tell through the theater. Why cut down the buildings remain and memory be made to the dead, everybody. " # Wednesday, September 9, 2009
18.00 -
20.00 - Reading and Images from the novel " Things Change "by Robert Ferrucci
Venice, July 18, 2001, shortly after dawn. A writer equipped with pen, notebook and camera side Genoa. recounts the day of the G8 to local newspapers of the Espresso Group, free to write whatever you want, choose themes, looks, and arguments. The writer returns home full of notes and pictures, the soul torn, the skin and lungs poisoned by gas prohibited in war, but fired by the thousands in those two days. Try to mettercisi immediately, to write his novel of Genoa, the need intimate, indispensable. But it will take six years to finish what changes, published in July 2007 by Marsilio. Now, in this video are the words of that novel along with visual cues that have helped the writer to write it. Writing and images together, to try another approach, another path along the streets of Genoa in July 2001.
site
21:00 pm - Theatrical Salud by and with
BEPPE Casalese. In Spain, in '36, there was only a civil war. There was also a real revolution. The engineer from Italy Beppe Fanelli brings the wind of anarchy in Spain at the end of the last century. Buenaventura Durruti, the most famous English revolutionary, fighting arm in arm with a possible nephew of Romagna Fanelli. And everything in between. Names, like Franco, Hitler and Stalin. But places like the fascist Cesena, the Barcelona overturned by the anarchists, and finally Madrid on fire. Not just a trip. Because Spain is great. As for the dream that we took you to do.
23:00 pm - Screening del documentario "
Merica " di Federico Ferrone, Michele Manzolini e Francesco Ragazzi. Sarà presente uno dei registi.
trailer
# Thursday, 10 September 2009
18:00 - DJ Music Bars
21:00 - SERENA
has
. Story of the Passion of Christ as the incarnation of the stories of suffering and marginalization of the guests of the hospitality Sant'Alvise of Venice. A film spontaneously without a script, tests or repetition of shooting. A result of true collaboration, which allowed us to deepen friendship and trust by sharing a creative research love for the city.
http://www.viadellacroce.org/
Hours 23:00 -
Concert-> I am a dog and this is his presentation: * short biography illustrated: from the kennel to date * the son of the dog was born in 1983
the son of the dog was adopted by Bologna the son of the dog is a working musician and former film student the son of the dog has been for many years part of a group of dog is the son
/ FOLKbeatNUMERO2concert: MUSICA PER BAMBINI I loro concerti sono caratterizzati da originali performance teatrali, che contestualizzano i brani cantati su una base preregistrata o accompagnati da una semplice chitarra acustica. Come una sorta di cover band di loro stessi, nei live si fanno aiutare da vari collaboratori: cantanti, attori, mimi e giocolieri in una formazione unica che rende ogni spettacolo completamente diverso da quelli precedenti.
sito
# Venerdì 11 settembre 2009
Ore 17:00 - DIBATTITO: IL SOGNO DI UNA SPIAGGIA – UNA SPIAGGIA DA SOGNO. Global Beach discute di ambiente, laguna, clima, Bellomo Deborah sustainability and tourism, environmental research precarious Permanent Assembly No Mose and local administrators. Hours 21:30 - theater
nails ON THE FLOOR WITH THE FRONT Pierpaolo and Stefano Comini Skalkotos
"pre-sour a kaleidoscope Ground Zero that the viewer an honest portrait of Americans today is a disturbing reminder how we could become, or perhaps, as already a little 'us .. "Pierpaolo Comini video
23.00 - Dj set by PESS
# Saturday, 12 September 2009
18:00 pm - cocktail music with DJ
21:00 pm - CLOSING PARTY with STRA DJ
Brian And Andrew In Greece
INTERVIEW It is titled "Education and culture factory in crisis' debate scheduled for tomorrow. Organized by the tidal wave of Venice, the meeting involved Pierluigi Sacco, an economist and professor Iuav, Monique Veaute, director of Palazzo Grassi, Andrea Fumagalli, an economist and Judith Revel, philosopher and professor at the University of Paris I. And we revel in advance with the themes of the debate. Today the factory culture is not so different from the traditional works: the massive use of temporary work, for outsourcing, and flexibility.
I think the word culture as the word production, are terms to be redefined. Just as we thought il mondo della produzione materiale come un mondo ignorante e grezzo, si è considerato la cultura come un fatto quasi aristocratico, che implicava fenomeni di rarefazione sociale. Oggi il fatto che la produzione si sia spostata sempre più in modo egemone su elementi immateriali anche dentro la produzione materiale fa sì che l'elemento del sapere, la circolazione dei saperi sia determinante per la produzione. Venezia è sì fabbrica di cultura perché ha musei, gallerie, fondazioni. Questo è vero. Ma qui c'è anche un'università importante che è un bacino di saperi e qualificazioni. La cosa nuova è che si è stabilito un rapporto tra le istituzioni culturali il cui circuito si è fissato nel secondo dopoguerra, e il academia, which was quite detached from reality.Ho visto in questi giorni la metà della Biennale, nei padiglioni nazionali dei Giardini, era tanto che non percepivo - forse dalla Biennale di architettura curata da Fuksas dieci anni fa - una linea politica cosi netta. Una sorta di filo che si aggroviglia attorno all'implosione dello stereotipo del benessere materiale: gli appartamenti pieni di beni ammassati, la superficie liscia del design, l'apparire... Esemplari, se vuoi, mi sembrano il padiglione danese e quello finlandese, in parte anche quello francese. Come se ci fosse i gioco la consapevolezza che la mercificazione è ormai arrivata a un punto che essa stessa non può più sostenere - perché in realtà la vera wealth is elsewhere. We are careful, this is not to say - and the danger of misunderstanding is great, I know - that it's back to being poor to be happy, or that the rejection of consumption is enough to ensure a pseudo-ethical purity and Politics: I It always amazes people who have never thought of decrease as can be that kind of obscene speech - live with nothing to live happily ever after - when really three-quarters of the planet is in distress. Tell that to someone who is hungry you must eat less ... In short, the ultimate luxury this deprivation may also be voluntary, a bit 'like diets, with the inevitable accompanying moralistic discourse in general, the "twists" of the world of the haves ... Biennale But the tone seems happily different.
Yes, some pavilions seem to simply point out the contradiction in which there are: but how, you ask us works of art as objects of design from accumulating, and will do - at best - in museums or foundations, or some bank vault, at the very moment it is not so much an object to contain or embody value but the tangle of ideas, circuits, cooperation, ways of acting and imagine, instead, value, produce it! Look, it's like the Biennial was responsible for adding a chapter on Benjamin's essay on the work of Art in the Age of Mechanical Reproduction. Today, mass production is not the problem. Rather: What is the work of art when it is the social production that innervates the development? So, how does it jokingly the Danish pavilion, you can also hang a panel on the roof itself, "rent" with lots of details of a fake real estate: the world has changed.
The training has changed or should change?
is, I think, very obvious that the bulk of university education is made to keep students in a state of blindness - for example by hammering them that the centrality of work "old school" - that Ford, to be clear - Still exists, but that, paradoxically, have to accept new elements - a now massive unemployment, and when there is work, more flexible and absolute insecurity. Quell'apprendimento early silence and docility, in which we shall bow to working conditions that massacre whole life, I think it would already be at university. You are required to graduate in an area where there is employment. But at the same time, you are also asked to be versatile and ready to do a job for which you are not formed. We want students qualifying, but the university requires them paradoxically a massive deskilling, and the acceptance of bringing into play the whole sphere of life - leisure, affection, sexuality, health, nutrition and so on.
In short, the same culture goods.
All this passes through the university structure, recruitment mechanisms and / or co-option, programs, organization of places of learning materials: everything is done to conceal from those who produce knowledge - the community of students, researchers , administrative and technical workers together - how much is this knowledge, what is tempting to capital. They are accustomed to think that knowledge is like a can of coca-cola: just pay and swallow, even if it hurts! Instead, the knowledge, they are. The value, producing the them. Are expropriated. And then, just like years ago, it was said that the factory had to be the workers, now seeks to reclaim the Wave of institutions that are his. In Venice and elsewhere, today, talking about the university and the factory is the same thing. Perhaps we should further widen the circle: universities, certainly, but also whole pieces of insecurity more or less organized, immigrants - I think carers, of which there is much talk these days - artists, computer engineers, designers, teachers, housewives and home .. .
What they have in common?
Simply this: they are all part of a social and production has become immaterial. They create value directly, or are the condition of possibility. If you stop, it stops the country. Have you ever thought what would happen if the strike / carers throughout the country? Capital has tried to build a model to manage and exploit the social production. It's called financial activities - and we know how it went. The solution is a return to capitalism mom and dad, the solid, virtuous, material - one of the assembly line and the three 8. The solution is to take back all that value. How to read a slogan Wave this winter - noted at Global Beach 2009: Give me back my money!
Wave The student movement was disruptive. What do you think will happen now?
Non so qui in Italia. Però mi sembra che la risposta repressiva che esiste, e che cresce sempre di più, sia molto più pesante di quello che immaginiamo. Siamo accecati dalla sceneggiata napoletana di Berlusca and friends, ne ridiamo. A volte, ho l'impressione che dietro a tutto questo, ci sia da temere il peggio. Dietro alle tette e ai culi, c'è un altro tipo di oscenità, molto più pesante. Recentemente ho rivisto a Parigi il Salò di Pasolini. Fa un certo effetto, dopo, guardarsi intorno. Però mi sembra anche che gli spazi siano tanti, e che i movimenti continuino a strapparli, a investirli, a torcerli, a mangiarseli. Non solo: c'è tutto un sapere delle lotte che si accumula, una sedimentazione experiences, becoming an increasingly popular and political, even in worlds so far rather foreign to the Italian companies' motion. " Only in Venice, in the last 24 months: Rebiennale, which involved people from the neighborhoods, friends, students of architecture and the Iuav, the halls 'official' of the Biennale, but also collectives of architects who have come from many countries, sociologists, urban planners, philosophers, or the reinvestment of Morion, the strategic role of salt-Docks. In each of these realities, the university is central. The Wave has gone through in a powerful way to combat a range of fronts. Maybe that's where the problem arises that we must henceforth be solved, and that for me remains heavily open: the danger of not being able to articulate - not saying unify, would be tremendous: no, rather than tie in their diversity - different political experiences and subjectivity.
In France, the protest was disruptive. It is served to you?
We had almost a full semester of university strike, but the failure we had to build communities from various parts of the movement - students, researchers and non-temporary, administrative staff and technicians, health care and hospitals , the indicators, immigrants with or without immigrants - has weighed enormously. We lost. Corporatism that has lost yet exists in the movement, and that blocks the recognition of the common dimension of the struggle: biopolitical struggles, struggles for a socially and politically qualified life, struggles to recover what is ours, struggles to reinvent institutions up to this common, namely a absolute democracy.
Thursday, September 3, 2009
What Happened To Brook At Heather I Deep Throat
Used Car Trailers For Sale In Ireland
Ieri, martedí 1 settembre, i giovani lavoratori di MTV hanno partecipato all’assemblea di apertura di Global Beach, al Lido di Venezia. Iniziativa che da quattro anni riunisce, in occasione della Mostra del Cinema, i lavoratori del settore Arte, Cultura e Spettacolo. All’assemblea, sede di dibattito e confronto sulla grave crisi del settore che penalizza i precari, erano inoltre presenti: gli attivisti di Global Project, i precari della Biennale di Venezia, il Movem, Onda Anomala, S.A.L.E., i precari del Comune di Venezia.
I 104 giovani lasciati a casa da MTV appoggiano inoltre la “Street Parade” e tutte le iniziative di protesta che si sono tenute oggi durante the opening of the Venice Film Festival. The association 100 authors expresses its solidarity with the students and temporary workers of culture and entertainment that were the subject of a reaction so violent as unjustified by the police. Also, note our concern an episode that shows once again how this government wants to silence any voice of dissent. Therefore reaffirm the right of everyone to manifest this disagreement, always respecting the principles of non-violence that have characterized so far all the manifestations of world culture. demonstrations of recent months have put into the pot and the many serious economic problems and social issues related to the progressive dismantling of the culture of this country. If the only answer I can give this government is the militarization of the Exhibition of the Venice Film Festival means that we are right to be concerned, and to insist in any place and in every way because our voices are heard.
now express their dissent and demand their rights has become outlawed, while it is accepted and protected a system of exploitation of persons who in fact deny the rights, safety and prospects for a decent future. We shameful what has happened and we express solidarity with the poor and precarious the show who have suffered this violent and unjustified aggression. The coordination of autonomous precarious the city of Venice
believe the incident took place yesterday at the Lido and serious concern, and the unjustifiable act of aggression of the police against participants in the demonstration of the Global Beach. People who, in this case, sought visibility (of the event on the occasion of the Mostra del Cinema) to denounce the state of precariousness and exploitation experienced by workers who operate in the world of Venetian Art and Culture.